<p>The turbulent 1960s, almost from its outset, produced a dizzyingdisplay of cultural images and ideas that were as colorful as the psychedelic T-shirts that became part of its iconography. It was not, however, until Morris Dickstein's landmark Gates of Eden, first published in 1977, that we could fullygrasp the impact of this raucous decade in American history as amomentous cultural epoch in its own right, asmuch as Jazz Age America or Weimar Germany. From Ginsberg and Dylan to Vonnegut and Heller, this lasting work brilliantly re-creates not only the intellectual and political ferment of the decade but also its disillusionment. What results is an inestimable contribution to our understanding of twentieth-century American culture."