The show's title, "Artist as Alchemist," offers two clues about Harper's work: first, that he is definitely an artist, not a designer; and second, that he perceives himself as a modern-day alchemist, wringing perfection from dross. His goal is not converting lead to gold but blending disparate elements and motifs harmoniously. The museum's exhibition covers the development of Harper's career from 1974, with objects displayed roughly chronologically in banks of purple-painted cases. His neckpieces and brooches are all as well suited to the body as they are to the display case. "There is nothing in this show that cannot and has not been worn," Harper said. Other jewelry artists, he said, create sculptures that are not meant to be worn. "I think when you do, then you cease calling them jewelry." That designation is significant to Harper, who has long been fascinated by the idea of adornment and the role that jewelry has played in various cultures for thousands of years. "It was an area that was not being explored," Harper noted. - Orlando Sentinel, November 4, 1989.