In <i>Mimesis and the Human Animal,</i> Robert Storey argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question "What does it mean to say that art imitates life?" he must consider both "What is life?" and "What is art?"<br> <br> A unique approach to the subject of mimesis, Storey's book goes beyond the politicizing of literature grounded in literary theory to develop a scientific basis for the creation of literature and art.<br>